Lyrical abstraction is either of two related but distinct
trends in
Post-war Modernist painting:
European Abstraction Lyrique born in Paris, the French art critic Jean José Marchand being credited with coining its name in 1947, considered as a component of (
Tachisme) when the name of this movement was coined in 1951 by Pierre Guéguen and Charles Estienne the author of
L'Art à Paris 1945–1966, and
American Lyrical Abstraction a movement described by
Larry Aldrich (the founder of the
Aldrich Contemporary Art Museum, Ridgefield Connecticut) in 1969