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Taliesin
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Taliesin
Taliesin ( 6th century; (; ) was an early Brythonic poet of Sub-Roman Britain whose work has possibly survived in a Middle Welsh manuscript, the Book of Taliesin. Taliesin was a renowned bard who is believed to have sung at the courts of at least three Brythonic kings.
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Taliesin
[Celtic] The Tale of Taliesin Once there was a witch named Ceridwen, and she had two children. The one, her daughter, was as beautiful a child as you could ever hope to see; the other, her son Morfran, was so ugly, ill-favored and stupid that he sickened everyone who saw him. Ceridwen was grieved that Morfran was so horrible, and resolved by her magic arts to make him into such a great bard that no-one would mind his ugliness. She began to cast a great spell. Many were the plants that she cast into her cauldron, many the incantations said over it. An old blind man named Morda was set to keep the fires burning beneath it, assisted by a young boy, Gwion. The Cauldron of Wisdom and Inspiration must be kept boiling for a year and a day, and then the first three drops from it would impart ultimate knowledge to the one who drank them. But the rest of the liquid would be deadly poison. Long labored Ceridwen, roaming far to find the rare and exotic herbs she required, and so it chanced that...
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Taliesin
Taliesin (Welsh) He of the radiant brow; a transformation of Gwion, eaten as a barley-grain by Ceridwen as an old black hen. She bore him nine months in her womb, and when he was born, set him afloat in a basket of rushes on the Teifi River where Elphin found him and named him Taliesin.
Seventy-seven poems attributed to Taliesin come down, supposedly from the 6th century, though critics maintain that they are forgeries of the 12th or 13th. But the poetry of the later centuries is exceedingly different from the poetry of the Cynfeirdd -- Talesin, Myrddin Gwyllt, Llywarch Hen, and Aneurin -- said to have lived in the 6th century. Of these four, the first two are mystical and Druidical. The verse forms are simple, the rhythm is lofty: the thought, when it is apparent -- for the language is exceedingly archaic and difficult -- is in the grand manner. Twelfth and 13th century poetry on the other hand is ultra-tortuous in form -- the extreme old age of a literature, when thought and inspiration are gone, and only delight in curious form remains -- while the subject matter is practically always the Bard's praise of his chieftain. Purely literary criticism would most certainly place the Cynfeirdd many centuries earlier than the 12th century poets.
to be continue "Taliesin2 "
Seventy-seven poems attributed to Taliesin come down, supposedly from the 6th century, though critics maintain that they are forgeries of the 12th or 13th. But the poetry of the later centuries is exceedingly different from the poetry of the Cynfeirdd -- Talesin, Myrddin Gwyllt, Llywarch Hen, and Aneurin -- said to have lived in the 6th century. Of these four, the first two are mystical and Druidical. The verse forms are simple, the rhythm is lofty: the thought, when it is apparent -- for the language is exceedingly archaic and difficult -- is in the grand manner. Twelfth and 13th century poetry on the other hand is ultra-tortuous in form -- the extreme old age of a literature, when thought and inspiration are gone, and only delight in curious form remains -- while the subject matter is practically always the Bard's praise of his chieftain. Purely literary criticism would most certainly place the Cynfeirdd many centuries earlier than the 12th century poets.
to be continue "Taliesin2 "
