(18 September 1906 – 17 August 1985) was a Japanese film critic, director, screenwriter, producer, and biographer. His real name was Aji Shuichiro. Born in Tokyo, he became interested in film from his days in high school and, continuing on to
Keio University, began submitting reviews to magazines such as
Kinema Junpo and editing theater programs. Starting a
dojinshi Eiga kaiho with Tsuneo Hazumi, Kishi became involved in the left-wing film movement of the late 1920s, eventually becoming a member of the
Proletarian Film League of Japan (Prokino). He soon left out of dissatisfaction with such a political approach to film. In 1932, he became the first critic to champion the work of
Sadao Yamanaka, and later was a strong supporter of the films of
Hiroshi Shimizu. In 1937, he gave up being a film critic and became an assistant director at
Toho, where he directed one film,
Kazaguruma, in 1938 before concentrating on screenwriting. After the war, he mainly worked at
Shintoho, serving as producer on a few films, and wrote scripts for such directors as Shimizu and
Mikio Naruse. All along he continued writing on film, especially penning numerous biographical accounts of the many people he knew in the Japanese film world.